AANK_A Creative Line, a dynamic and innovative platform, has made a lasting impact in literature and theater. With a steadfast commitment to artistic expression, it has enriched the literary landscape through its publications. Notably, it has produced two captivating books: “Aytijyar Nirjash” and “Bhinnaxuree Emuthi Prabandha,” both profound collections of Assamese literary essays. These works exemplify AANK_A Creative Line’s dedication to exploring the diverse dimensions of theater, drama, and literature. Through insightful essays, they illuminate the significance, evolution, and societal impact of these art forms.

Aytijyar Nirjash: The collection of Assamese literary essays by Dr. Mrinal Jyoti Goswami focuses on the theory of drama, delving into various aspects of this art form. Primarily approached from a literary standpoint, the collection analyzes plays, encompassing Eastern and Western definitions of drama, its elements, and classifications. Articles discuss notable works like ‘Nilambar’ and ‘SriNibaran Bhattacharya’, shedding light on their historical significance and contributions to modernizing Assamese drama. The exploration extends to the depiction of social contexts in Arun Sharma’s plays, the emergence of absurd theater in ‘Ahar’, folk art in ‘Buranjipath’, and the infusion of postmodernism in Assamese drama. Through these essays, the collection captures the essence of the past, present, and potential future directions of Assamese dramatic literature. The sequencing reflects a journey through heritage, offering insights into the evolution of the art form and its cultural impact.


Bhinnaxuree Emuthi Prabandha: The book “Bhinnaxuree Emuthi Prabandha” comprises several articles delving into Assamese culture, literature, and heritage. The first article, “Asomar Sanskritik Aitijya: Keitimaan Bises Dikh,” explores the origins of Assam’s name and its cultural facets, encompassing literature, art, architecture, music, and philosophy. “Asomar Janagathani: Eak Chamu Abalikan” analyzes the Assamese population from anthropological, religious, and linguistic perspectives. Noteworthy stories by Homen Borgohain (“Bhai”) and Mamoni Roysom Goswami (“Sanskar”) are discussed. The intertextual relationship between Rabindranath Tagore and Ambikagiri Roychoudhury is examined in the context of Upanishadic thought. The influence of the West on Assamese literature is explored, particularly in romantic and modern genres. The book also delves into Sattriya dance and music while presenting fresh perspectives.

Kaleidoscope: “Kaleidoscope” is a compilation of research articles stemming from the Orientation Programme-120 held at UGC-HRDC, Gauhati University, Guwahati, Assam, India, from July 31st to August 20th, 2019. This publication, facilitated by AANK_A Creative Line, plays a pivotal role in the realm of artistic expression. Catering to a diverse audience of enthusiasts, scholars, and artists, it serves as an invaluable resource. The articles encompass a wide spectrum of topics, contributing to the enrichment of artistic discourse and understanding. As a guiding beacon, “Kaleidoscope” illuminates the interplay between creativity and scholarship, fostering a deeper connection between art and academia.